ARBORETUM

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

BEAUTYLOUNGE/ CONCEPT

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

BURNOUT

https://vimeo.com/128740846






THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH. THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT. DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT. THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM. I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN BEATS HEADPHONES: TURBOSQUID IPAD MODEL: MODEL+MODEL

CINEMA 4D AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

RESIDENCE DE LA GARE

  • RESIDENCE DE LA GARE

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

EDGE / SCREEN & SIZE



THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH. THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT. DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT. THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM. I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN BEATS HEADPHONES: TURBOSQUID IPAD MODEL: MODEL+MODEL

CINEMA 4D AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

 STORYBOARD ELEMENTS

EDGE / INTERRUPTION-FREE

https://vimeo.com/117920548





THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

STORYBOARD ELEMENTS

ICE-WAREHOUSE-HOCKEY

https://vimeo.com/108110118

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH. THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT. DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT. THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM. I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN BEATS HEADPHONES: TURBOSQUID IPAD MODEL: MODEL+MODEL

CINEMA 4D AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING. THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM. THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT. I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE. AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO RENDER FARM: REBUSFARM.NET

CINEMA 4D AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

ISHAKE

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

CONSTRUCTION CHEMISTRY

  • REFERENCE

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

APARTMENT HOUSE

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

FLACON

https://vimeo.com/85704716

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

LE RENDEZ-VOUS / CONCEPT

 

LEADING THE WAY – CONCEPT 1


ENRICHING LIVES – CONCEPT 2

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

PIXELMEN

https://vimeo.com/85706667

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

STILLE POST 2013

https://vimeo.com/57170587

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

 

THE WAVE

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

 

[vimeo]http://vimeo.com/64224673[/vimeo]

 

 

ECOPHIT 2012

https://vimeo.com/85709467

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP

PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS:

AS ARCHITECT

COMPLETED

OM NOM 3D

https://vimeo.com/85708033

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH. THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT. DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT. THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM. I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN BEATS HEADPHONES: TURBOSQUID IPAD MODEL: MODEL+MODEL

CINEMA 4D AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING. THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM. THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT. I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE. AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO RENDER FARM: REBUSFARM.NET

CINEMA 4D AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

  FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES. I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS. I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V. PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH. AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC. I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE. DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY. I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR. JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE. PROJECT DURATION WAS 5 DAYS.  

PROJECT MANAGEMENT: MONIKA NIETH STOCKIMAGES: DOSCHDESIGN http://www.doschdesign.com/

CINEMA 4D PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
  TITLE: SYNTHFLÄCHE IN A-MOLL  

CINEMA 4D AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS. IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES. „ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS. THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE. IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON. IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH. THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS) JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE. I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES SOUND: GREEN PIXELMAN – JIM TABLADILLO YELLOW PIXELMAN – SVEN OBERMEYER ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW CINEMA 4D AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”. THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN. A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION MOTION DESIGNER: 00:00 ANJA MEWES 00:07 TINA LÖWENSTERN 00:33 MEDIA SOUND & PICTURES 01:06 JOCHEN BRAUN 02:00 MARCUS MARTINEZ 02:15 DEBORAH ARP 02:28 EDUARD LEFTER 02:38 DENNIS HERZOG 02:53 KEMANE BA 02:58 DINO MUHIC 03:28 JIM TABLADILLO 03:48 MATTHIAS WINCKELMANN 04:10 BUILT. SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION. RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D. IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS PHOTOGRAPHY: H.G. ESCH

CINEMA 4D PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS: AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

https://vimeo.com/86398145

EYE ANIMATION 2012

https://vimeo.com/39619003

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP

PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS:

AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

IN 2012 TOYOTA’S BOOTH HAD AGAIN „THE EYE-LED“. DÉRI DESIGN PRODUCED IT’S CONTENT IN ADDITION TO THE STAND DESIGN.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, ANIMATION /// – ADVANCED RENDERER

 I MODELED, TEXTURED AND ANIMATED THREE SCENES STARTING FROM 3:02 MIN

ART DIRECTION, MOTION DESIGN AT DÉRI

ART DIRECTOR: PETER JANOSCHKA

MOTION DESIGN: ANJA MEWES, TINA LOEWENSTERN, EDUARD LEFTER

MUSIC: MICHAEL KADELBACH

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

AFTER EFFECTS

COMPLETED

SHOWROOM

  • CONCEPT SKETCH

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP

PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS:

AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

IN 2012 TOYOTA’S BOOTH HAD AGAIN „THE EYE-LED“. DÉRI DESIGN PRODUCED IT’S CONTENT IN ADDITION TO THE STAND DESIGN.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, ANIMATION /// – ADVANCED RENDERER

 I MODELED, TEXTURED AND ANIMATED THREE SCENES STARTING FROM 3:02 MIN

ART DIRECTION, MOTION DESIGN AT DÉRI

ART DIRECTOR: PETER JANOSCHKA

MOTION DESIGN: ANJA MEWES, TINA LOEWENSTERN, EDUARD LEFTER

MUSIC: MICHAEL KADELBACH

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

AFTER EFFECTS

COMPLETED

A SHOWROOM OF A CAR DEALERSHIP SHOULD BE CREATED. IN THE END THIS SHOWROOM WAS FILLED WITH PROSPECTS AND POSTERS ON THE EMPTY SPOTS.

PRODUCTION: PIXELCHARM

/// MODELING, TEXTURING, LIGHTING /// – V-RAY RENDERER

THE CHALLENGE IN THIS PROJECT WAS THE EXTENSION OF A ROOM AS SHOWN AS IN THE SKETCH. I BUILT UP THE WHOLE ROOM FROM SCRATCH AND TEXTURED IT. PIXEL_CHARM PROVIDED ME SOME FURNITURE WHICH I INTEGRATED. AFTER LIGHTING THE SCENE, POSITIONING THE CAMS I WAS READY FOR RENDERING.

PREPROCESSING AND CONCEPT FROM PIXELCHARM

CINEMA 4D

COMPLETED

LEXUS STAND 2012

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP

PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS:

AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

IN 2012 TOYOTA’S BOOTH HAD AGAIN „THE EYE-LED“. DÉRI DESIGN PRODUCED IT’S CONTENT IN ADDITION TO THE STAND DESIGN.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, ANIMATION /// – ADVANCED RENDERER

 I MODELED, TEXTURED AND ANIMATED THREE SCENES STARTING FROM 3:02 MIN

ART DIRECTION, MOTION DESIGN AT DÉRI

ART DIRECTOR: PETER JANOSCHKA

MOTION DESIGN: ANJA MEWES, TINA LOEWENSTERN, EDUARD LEFTER

MUSIC: MICHAEL KADELBACH

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

AFTER EFFECTS

COMPLETED

A SHOWROOM OF A CAR DEALERSHIP SHOULD BE CREATED. IN THE END THIS SHOWROOM WAS FILLED WITH PROSPECTS AND POSTERS ON THE EMPTY SPOTS.

PRODUCTION: PIXELCHARM

/// MODELING, TEXTURING, LIGHTING /// – V-RAY RENDERER

THE CHALLENGE IN THIS PROJECT WAS THE EXTENSION OF A ROOM AS SHOWN AS IN THE SKETCH. I BUILT UP THE WHOLE ROOM FROM SCRATCH AND TEXTURED IT. PIXEL_CHARM PROVIDED ME SOME FURNITURE WHICH I INTEGRATED. AFTER LIGHTING THE SCENE, POSITIONING THE CAMS I WAS READY FOR RENDERING.

PREPROCESSING AND CONCEPT FROM PIXELCHARM

CINEMA 4D

COMPLETED

DÉRI DESIGN CREATED CONCEPTS FOR THE LEXUS BOOTH/ GENEVA 2012. TOYOTA DECIDED TO TAKE ONE OF THE DESIGN CONCEPTS AND DÉRI REALIZED IT SUCCESSFULLY WITH B+S EXHIBITIONS.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING/// – V-RAY RENDERER

I RECEIVED PICTURES FROM THE PREVIOUS BOOTH DESIGN AND CAD-FILES. DÉRI DESIGN GAVE ME LOTS OF SKETCHES REGARDING THE RESHAPE OF THE STAND INCLUDING DIFFERENT FLOOR-LAYOUTS AND DISPLAY OPTIONS. I REBUILT THE WHOLE STAND AND INTEGRATED THE NEW DESIGNS.

CONCEPT: DÉRI DESIGN

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

BUILT

LEGENDARY CARS

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH.

THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT.

DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN

ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT.

THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM.

I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN

BEATS HEADPHONES: TURBOSQUID

IPAD MODEL: MODEL+MODEL

CINEMA 4D

AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER

ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D

PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING.

THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM.

THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT.

I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE.

AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY

PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 

FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES.

I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS.

I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED

BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V.

PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH.

AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC.

I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE.

DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY.

I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR.

JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE.

PROJECT DURATION WAS 5 DAYS.

 

PROJECT MANAGEMENT: MONIKA NIETH

STOCKIMAGES: DOSCHDESIGN

http://www.doschdesign.com/

CINEMA 4D

PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D

PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
 

TITLE: SYNTHFLÄCHE IN A-MOLL

 

CINEMA 4D

AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS.

IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES.

„ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS.

THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE.

IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON.

IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH.

THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D

PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS)

JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE.

I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES

SOUND:

GREEN PIXELMAN – JIM TABLADILLO

YELLOW PIXELMAN – SVEN OBERMEYER

ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW

CINEMA 4D

AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”.

THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN.

A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES

PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION

MOTION DESIGNER:

00:00 ANJA MEWES

00:07 TINA LÖWENSTERN

00:33 MEDIA SOUND & PICTURES

01:06 JOCHEN BRAUN

02:00 MARCUS MARTINEZ

02:15 DEBORAH ARP

02:28 EDUARD LEFTER

02:38 DENNIS HERZOG

02:53 KEMANE BA

02:58 DINO MUHIC

03:28 JIM TABLADILLO

03:48 MATTHIAS WINCKELMANN

04:10 BUILT.

SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION.

RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D.

IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN

ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP

PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS:

AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

IN 2012 TOYOTA’S BOOTH HAD AGAIN „THE EYE-LED“. DÉRI DESIGN PRODUCED IT’S CONTENT IN ADDITION TO THE STAND DESIGN.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, ANIMATION /// – ADVANCED RENDERER

 I MODELED, TEXTURED AND ANIMATED THREE SCENES STARTING FROM 3:02 MIN

ART DIRECTION, MOTION DESIGN AT DÉRI

ART DIRECTOR: PETER JANOSCHKA

MOTION DESIGN: ANJA MEWES, TINA LOEWENSTERN, EDUARD LEFTER

MUSIC: MICHAEL KADELBACH

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

AFTER EFFECTS

COMPLETED

A SHOWROOM OF A CAR DEALERSHIP SHOULD BE CREATED. IN THE END THIS SHOWROOM WAS FILLED WITH PROSPECTS AND POSTERS ON THE EMPTY SPOTS.

PRODUCTION: PIXELCHARM

/// MODELING, TEXTURING, LIGHTING /// – V-RAY RENDERER

THE CHALLENGE IN THIS PROJECT WAS THE EXTENSION OF A ROOM AS SHOWN AS IN THE SKETCH. I BUILT UP THE WHOLE ROOM FROM SCRATCH AND TEXTURED IT. PIXEL_CHARM PROVIDED ME SOME FURNITURE WHICH I INTEGRATED. AFTER LIGHTING THE SCENE, POSITIONING THE CAMS I WAS READY FOR RENDERING.

PREPROCESSING AND CONCEPT FROM PIXELCHARM

CINEMA 4D

COMPLETED

DÉRI DESIGN CREATED CONCEPTS FOR THE LEXUS BOOTH/ GENEVA 2012. TOYOTA DECIDED TO TAKE ONE OF THE DESIGN CONCEPTS AND DÉRI REALIZED IT SUCCESSFULLY WITH B+S EXHIBITIONS.

CLIENT: TOYOTA

PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING/// – V-RAY RENDERER

I RECEIVED PICTURES FROM THE PREVIOUS BOOTH DESIGN AND CAD-FILES. DÉRI DESIGN GAVE ME LOTS OF SKETCHES REGARDING THE RESHAPE OF THE STAND INCLUDING DIFFERENT FLOOR-LAYOUTS AND DISPLAY OPTIONS. I REBUILT THE WHOLE STAND AND INTEGRATED THE NEW DESIGNS.

CONCEPT: DÉRI DESIGN

REALIZATION: B+S EXHIBITIONS

PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

BUILT

THIS WAS A SPIN-OFF OF MY FAREWELL 318IS VIDEO. I PUT THE DELOREAN AND MY 318IS ON ONE AND THE SAME LEVEL OF NOSTALGIA.

/// TEXTURING /// – V-RAY RENDERER

THE MAJOR PART OF THIS JOB WAS TEXTURING. MAKING THE CARS PART OF THE SCENE DUE TO SHADER-TWEAKING.

SCENE: „HOLLE“ FROM VRAYFORC4D-FORUM

MATERIALS: BIOMEKK

CINEMA 4D

COMPLETED

FAREWELL 318is

https://vimeo.com/27532425

THESE RENDERINGS WERE PRODUCED AS A TEASER FOR A BROCHURE AND FOR THEIR WEBSITE. THE HOUSES WEREN’T BUILT YET AT THE TIME OF CREATING THOSE IMAGES. SO POTENTIAL ACQUIRING PARTIES COULD ALREADY GET AN IDEA HOW THE HOUSE WILL LOOK LIKE.

RALF WEBER IMMOBILIEN HOFHEIM

/// MODELING, TEXTURING, LIGHTING /// – ARNOLD RENDERER

I WAS ASKED TO VISUALIZE THESE TWO HOUSE TYPES. THE ARCHITECTURAL OFFICE SENT ME THE CAD-PLANS FROM THE BUILDING APPLICATION. HAVING THESE AS REFERENCE I STARTED MODELING FROM SCRATCH. THE ARNOLD RENDERER IS ABLE TO HANDLE C4D-HAIR (GRASS) SO IT CAME HANDY IN THIS PROJECT. DURATION OF THIS PROJECT WAS 2 WEEKS.

REALIZATION: RALF WEBER IMMOBILIEN ARCHITECT: KLAUS EISMANN & PARTNER PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

UNDER CONSTRUCTION

A CLIENTS FRIEND WAS SEARCHING FOR A NEW LOCATION FOR HER BEAUTYLOUNGE. THE „POINT OF INTEREST“ WAS SITUATED CLOSE TO KONSTABLER WACHE IN FRANKFURT. THE VACANT LOCATION WAS A FORMER FASHION BOUTIQUE AND THE CHALLENGE WAS TO DEVELOP A CONCEPT FOR A BEAUTYLOUNGE INCLUDING NAILBAR, BROWBAR, PEDICURE AND WAXING.

BEBIEN WAXING FRANKFURT

/// MODELING, TEXTURING, LIGHTING ///  ARNOLD RENDERER

THE CLIENT PROVIDED ME AS-COMPLETED DRAWINGS SO I COULD GET THE DIMENSIONS. PICTURES FROM THE FORMER BOUTIQUE AND TAKEN PICTURES FROM EXTERIEUR SUPPORTED ME TO INTEGRATE THE NEW FUNCTIONS INTO THE GIVEN ROOM. I STARTED MODELING THE BUILDING AND ALL THE NEW DEVELOPED FURNITURE. I MODELED AND TEXTURED EVERYTHING IN THE SCENE EXCEPT OF THE BEATS HEADPHONES AND IPAD. I SPENT 2 WEEKS TO FINISH THIS ARCHITECTURAL PREVISUALIZATION AND IT WAS FUN LEARNING ARNOLD.

PROJECT MANAGEMENT: TAHMINE JAMSHIDIAN BEATS HEADPHONES: TURBOSQUID IPAD MODEL: MODEL+MODEL

CINEMA 4D AFTER EFFECTS

CONCEPT

THIS PROJECT WAS A COLLABORATION OF VARIOUS ARTISTS.

THE PARTICIPANTS DESIGN A FRAME (END-FRAME). EVERY FRAME WAS SENT TO THE PRODUCTION LEAD ANJA. ALL FRAMES WERE MIXED AND RANDOMLY ASSIGNED TO THE ARTISTS.

NOW EVERY PARTICIPANT HAS TWO FRAMES. THE CHALLENGE NOW IS TO CREATE AN AMAZING ANIMATION BETWEEN THOSE TWO FRAMES.

THE RULES:

THEME: BURNOUT

LENGTH: >= 3 SEC (NOT LESS THAN 3 SEC)  <= 9 SEC  (NOT MORE THAN 9 SEC)

SIZE: 1920X1080

– NO SINGLE-COLORED FRAME AS END FRAME, ESPECIALLY NOT BLACK

– DON’T USE THE WORD “BURNOUT”

– SOUND IS ALLOWED BUT NOT MANDATORY

– NO REAL FOOTAGE ONLY

– TEAM YOU CAN FORM TEAMS / WORK TOGETHER WITH OTHERS

– NO COPYRIGHT INFRINGEMENT”

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER – 01:19

AS DISCRIBED IN “DISCRIPTION” MY JOB WAS IT TO CONNECT THE START-FRAME WHICH WAS ASSIGNED TO ME AND THE END-FRAME I CREATED MYSELF. MY START-FRAME WAS THE WORD „AWAY”.

I SPLIT UP THE WORD INTO „A WAY“ AND CONTINUED WITH „TO AVOID FREEZES AND BURNOUTS“ —> CTRL ALT DEL.

THE THREE-FINGER SALUTE. REFERRING TO A COMPUTER RESTART.

THE TYPOGRAPHY/ BEGINNING WAS MADE IN AFTER EFFECTS. THE FROST WAS BUILT IN CINEMA 4D. COUCH AND PILLOW WERE MODELED AND SCULPTED IN C4D. I USED A CLONER WITH A DELAY EFFECTOR TO ACHIEVE A BOUNCY MOVE. TO GET THE TEXTURES I SCANNED THE PILLOW-COVERS AND THE SPARE-FABRIC OF THE COUCH.

THANK YOU ANJA FOR ORGNAZING AND REALIZING THIS PROJECT.

00:00 – MERLIN FLÜGEL

00:07 – FABIAN KOPPENHÖFER

00:12 – WALDEMAR BORTH

00:22 – RÜDIGER CHMIELUS

00:30 – ANJA MEWES

00:38 – OWI MAHN

00:47 – MICHAEL RYNKOWSKI + RAPHAEL SCHARDT

00:57 – ERIC LJUNGLÖF

01:05 – JULIAN GUMMICH

01:10 – ERIC LJUNGLÖF

01:19 – JIM TABLADILLO

01:28 – JOCHEN BRAUN

01:36 – LEONIE LINK

01:45 – ANJA MEWES

01:54 – DANIEL JUDE

02:02 – DANIELA SARINSKI

02:11 – MARTIN SCHWEMBER

CINEMA 4D

AFTER EFFECTS

COMPLETED

THESE VISUALIZATIONS WERE PRODUCED AS A TEASER FOR A BROCHURE, THE WEBSITE AND THE SIGN AT THE CONSTRUCTION SITE.

/// MODELING, TEXTURING, LIGHTING /// – VRAY-RENDERER

I RECEIVED CAD-PLANS FROM THE BUILDING APPLICATION. SO I BUILT THE HOUSES FROM SCRATCH. I MODELED AS LOW-POLY AS POSSIBLE BECAUSE I ALREADY KNEW THE SCENE WILL BE REALLY HEAVY DUE TO THE VEGETATION. WORKING WITH CLONES AND INSTANCES SAVED TIME AND AVOIDED PERFORMANCE ISSUES. RENDERING 300DPI IMAGES TOOK 2-4 HOURS ON A 10-CORE MACHINE. COMPLETION OF THIS PROJECT TOOK 2 WEEKS.

REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN PROJECT MANAGER: PHIL KALKOWSKI, STEPHAN KETTER ARCHITECT: KLAUS EISMANN & PARTNER – PLANUNGS- UND BAULEITUNGS GMBH

CINEMA 4D PHOTOSHOP

PLANNED

ANOTHER FEATURE VIDEO OF SAMSUNG’S GALAXY NOTE EDGE. THIS TIME IT’S ABOUT THE SCREEN AND SIZE OF THE PHONE.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

THIS PRODUCT VIDEO TOOK ME 10 DAYS TILL COMPLETION. I HAD A GOOD STORYBOARD FROM THE AGENCY SO I COULD WORK REALLY EFFICIENT AND STRAIGHTFORWARD. THE 3D MODEL WAS GIVEN FROM THE PREVIOUS JOB (INTERRUPTION-FREE)

THE ANIMATION LOOKS LIKE A ONE-SHOT BUT I WORKED WITH 4 CAMERAS. I USED CAMERA-MORPHING FOR INTERPOLATION BETWEEN THE ANIMATED CAMERAS.

THE INITIAL-BRIEFING WAS PRECISE AND I GOT KNOW WHAT IS IMPORTANT AND WHERE I HAD ARTISTIC FREEDOM.

DIMENSIONING AND SCREEN-CONTENT WERE DONE IN CINEMA. I ALSO WANTED TO ANIMATE THE WEIGHT DIGITS IN CINEMA, BUT DUE TO THE LIMITATION OF THE RENDERFARM IT WAS NOT POSSIBLE. I HAD TO STICK WITH THE SAMSUNG FONT. THE RENDER CLIENTS ON THE FARM DID NOT HAVE THE FONT. INSTALLING THE FONT ON THOSE 300 RENDERCOMPUTERS WAS NO OPTION, SO I “FIXED” IT IN THE POST. FINISHING TOUCH WAS MADE IN AFTER EFFECTS AND SOUND WAS ADDED IN THE END.

PROJECT MANAGER: CHRISTOPH WELLER

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS FEATURE VIDEO SHOWS THE BENEFITS OF THE BENDED EDGE. IT IS POSSIBLE TO WORK WITHOUT INTERRUPTION. VIA THE EDGE SIDE DISPLAY YOU CAN GET OR RECEIVE NOTIFICATIONS WITHOUT STOPPING YOUR CURRENT ACTIVITY.

/// TEXTURING, LIGHTING, ANIMATION, COMPOSITING /// – PHYSICAL RENDERER

 FOR THIS JOB I RECEIVED A STORYBOARD, STOCKFOOTAGE AND THE 3D MODEL. I WAS LUCKY GETTING THE 3D MODEL – OTHERWISE IT WOULD HAVE TAKEN ANOTHER 1-2 DAYS FOR MODELING. THE SHOTS AND ANGLES WERE DETERMINED BY THE STORYBOARD. I FOLLOWED THE STORYBOARD EXCEPT OF THE CLOSEUPS AND THE FIRST THREE CUTS. THE CLIENT WAS OK WITH THAT “CHANGES” AND KEPT THEM. THAT TIME I DIDN’T KNOW THAT THERE WAS “LENGTH-CAP” SO IN THE FINAL EDITING WE HAD TO SPEED UP A BIT IN ORDER TO FULFILL THE FEATURE VIDEO REQUIREMENT. I CREATED THE CONTENT OF THE PHONE’S DISPLAY IN AFTER EFFECTS AND USED THE OUTPUT AS TEXTURE IN CINEMA 4D. THIS WAY I COULD ANIMATE THE S-PEN (SEC. 20 – 31) AND A REFLECTION OF THE DISPLAY ON THE PENS UPPER PART (SEC. 06 – 10) IS VISIBLE. AFTER RENDERING OUT THE C4D PROJECT VIA RENDERFARM I STARTED COMPOSITING – ADDING TYPO, FLARES AND LOOK. AT THE VERY END THE SOUND WAS APPLIED BY YOUNG & WELL

PROJECT MANAGER: YOUNGKYU KO RENDER FARM: REBUSFARM.NET

CINEMA 4D AFTER EFFECTS

COMPLETED

KRECKLER GMBH IS A SPONSOR OF THE GERMAN ICE HOCKEY TEAM „ADLER MANNHEIM“.

AMONG OTHERS THEY SELL PRODUCTS FOR WAREHOUSING.

GOAL OF THIS SPOT WAS HIGHLIGHTING KRECKLER’S HOMEPAGE VIA LOGO ANIMATION.

NEOAD GAVE ME THE OPPORTUNITY TO CREATE A 3D INTRO FOR THE 2 MINUTES-AD KRECKLER’S BOOKED IN THE SAP-ARENA.

THIS CLIP IS SHOWN AFTER EVERY HOME GAME AND BEFORE THE PRESS CONFERENCE.

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

 I RECEIVED A SHORT STORYBOARD AND 12 DAYS TO COMPLETE THIS TASK INCLUDING RENDERING.

SO I STARTED SETTING UP THE SCENE WITH SHELF-CLONES AND MODELED, TEXTURED AND TOOK CARE OF THE LIGHTING.

NEOAD GAVE ME THE FREEDOM TO CHOOSE THE MUSIC – SO I CHOSE AN EPIC THEME WHICH SUITED THE STORYBOARD.

THE MUSIC DETERMINED THE EDITING SO I COULD START ANIMATING THE CAMERAS AND OBJECTS.

IN THE END I HAD TO ACTIVATE A RENDER FARM IN ORDER TO HOLD THE DEADLINE.

THE RENDERING ON MORE THAN 300 12-CORE COMPUTERS AT THE SAME TIME TOOK 2 HOURS, DOWNLOADING THE RESULTS (51GB) TOOK 4 HOURS.

PROJECT MANAGER: BERND BÄURICH

SOUND: PREMIUMBEAT.COM

RENDER FARM: REBUSFARM.NET

CINEMA 4D

AFTER EFFECTS

COMPLETED

THIS PROJECT SERVED AS A PROTOTYPE PRE-VISUALIZATION FOR PATENT AND PRODUCTION PURPOSES.

CLIENT: SGP GERMANY PRODUCTION: SGP GERMANY

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

  FLORIAN DESCRIBED ME HIS CONCEPTS AND MADE SOME SCRIBBLES. I MODELED HIS IDEAS AND MADE SOME TECHNICAL ANIMATIONS SO THAT THE MANUFACTURERS CAN EASILY UNDERSTAND HIS INTENTIONS. I HAD THE PREVIOUS (ALREADY EXISTING) VERSIONS AS REFERENCE. I COULD REALIZE THE NEW GENERATION CONCEPT DESIGN DUE TO COMBINING THOSE DIMENSIONS WITH THE NEW SKETCHES AND DESCRIPTIONS.

PROJECT MANAGER: FLORIAN ENGHARD

CINEMA 4D

PATENTED BEING MANUFACTURED

THE PURPOSE OF THIS PRODUCTION WAS A VISUALIZATION OF CONSTRUCTION CHEMISTRY FOR A BOOKLET AS TEACHING MATERIAL.

CLIENT: FONDS DER CHEMISCHEN INDUSTRIE IM VERBAND DER CHEMISCHEN INDUSTRIE E.V. PRODUCTION: MONIDÉE – MARKETINGKOMMNUNIKATION

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER

MONIDÉE REQUESTED A RENDERING FOR PRINT (300DPI) IN DIN A3 (42CM 29,7CM). THE ONLY REFERENCE I RECEIVED WAS THE „PIXELFUL“ IMAGE. IN ORDER TO ACCOMPLISH THIS TASK I HAD TO REBUILD THE WHOLE HOUSE AND FACILITIES FROM SCRATCH. AT FIRST THE CLIENT WANTED A 100% COPY OF THIS REFERENCE-RENDERING. LATER HE DECIDED TO MODERNIZE THE INSTALLATION SO I HAD TO ADD SOLAR COLLECTORS ETC. I USED THE CAMERA CALIBRATION IN CINEMA 4D TO MATCH THE PERSPECTIVE. DUE TO THE MISSING DIMENSIONS I STARTED BUILDING THE ROOF TIMBERING WITH MOGRAPH. AFTER THE AXIAL DIMENSIONS WERE „CLEAR“ I PROCEEDED BUILDING THE CEILINGS AND THE WALLS WITH EXTRUDE NURBS. AT THE END OF THE MODELING PHASE I ADDED THE ROOF TILES AND THE GRASS WHICH MADE THE SCENE VERY HEAVY. I USED V-RAY PHYSICAL SKY AND SOME LIGHTS FOR THE INTERIOR. JUST THE RENDERING TOOK MORE THAN 4 HOURS WITH A 12-CORE-MACHINE. PROJECT DURATION WAS 5 DAYS.  

PROJECT MANAGEMENT: MONIKA NIETH STOCKIMAGES: DOSCHDESIGN http://www.doschdesign.com/

CINEMA 4D PHOTOSHOP

COMPLETED

AT THE MOMENT OF PLANING A SINGLE BUNGALOW WAS LOCATED ON THE SITE. THE BUILDING OWNER PLANNED AN APARTMENT HOUSE FOR 11 PARTIES.

/// MODELING, TEXTURING, LIGHTING /// – VRAY RENDERER THIS PROJECT WAS GIVEN TO ME IN ORDER TO BEAUTIFY THE NAKED 3D MODEL (3DS). ADDING PLANTS, MATERIALS AND LIGHT WAS MY JOB. THE RENDERINGS WERE USED FOR TEASER ADVERTISEMENT.

ARCHITECT: HELMUT HEINRICH REALIZATION: GAB – GESELLSCHAFT FÜR ANSPRUCHSVOLLES BAUEN

CINEMA 4D PHOTOSHOP

BUILT

PRODUCTCLIP OF A FLACON

SELF-INITIATED PROJECT

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

IN THIS PROJECT I JUST WANTED TO HIGHLIGHT A PRODUCT WITH SOME CLOSEUP SHOTS. I GAVE THE „WINDMILL SAIL“ SOME LIFE WITH MOGRAPH. IT WAS LOTS OF NET-RENDERING BUT IT PAID OFF. WITH THIS PROJECT I COMPLETED A WHOLE PRODUCTION FROM THE BEGINNING TO THE END BY MYSELF.

SOUND: FREIE FILMMUSIK BY CAYZLAND STUDIO
  TITLE: SYNTHFLÄCHE IN A-MOLL  

CINEMA 4D AFTER EFFECTS

COMPLETED

DÉRI DESIGN HAD THE TASK TO REDESIGN TOYOTA’S FLAGSHIP STORE IN PARIS. IN „LEADING THE WAY“ THE CONCEPT WAS GUIDED BY THE STRIKING CONTRAST OF WARM WOODEN ELEMENTS AND SOPHISTICATED LIGHTING SCULPTURES. „ENRICHING LIVES“ – CREATING A „POSITIVE AND VIBRANT“ ENVIRONMENT WAS ACHIEVED WITH A COMBINATION OF PURISTIC SIMPLICITY AND PLAYFULNESS BY OVERLAPPING COLOURED GLASS SURFACES.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – ADVANCED RENDERER

 ALIA HAD TWO CONCEPTS IN MIND. MY JOB WAS IT TO VISUALIZE BOTH CONCEPTS. THE BUILDING EXISTS AND WAS FIX, SO WE HAD TO INTEGRATE THE CONCEPTS INTO THE ARCHITECURE. IN CONCEPT 1 (LEADING THE WAY) THE THEME WAS LIGHTING SCULPTURES SO I BUILT AND APPLIED „LIGHTSTICKS“ AND „LIGHTSTRIPES” TO THE SCENE. THE FIRST FLOOR WAS THE SPORTS AREA (GT 86) WITH CARBON. IN CONCEPT 2 (ENRICHING LIVES) THE THEME WAS OVERLAY. SO IT WAS COLORED TRANSPARENT SURFACES WHICH AMPLIFIED THIS THEME. A SPECIAL HIGHLIGHT WAS THE OXYGEN BAR ON THE GROUND FLOOR WHICH I MODELED FROM SCRATCH. THE IDEAS WERE GIVEN TO ME VIA SKETCHES AND MOOD IMAGES.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN 

CINEMA 4D PHOTOSHOP

CONCEPT

THE PIXELMEN WERE A SPIN-OFF OF TOYOTA YARIS HYBRID’S PRODUCT FILM 2012 PRODUCED BY DÉRI DESIGN. (SEE RELATED LINKS) JOCHEN AND ANJA HAD THE IDEA TO DO ANOTHER COLLABORATIVE PROJECT LIKE THE YEAR BEFORE (STILLE POST). WE RECEIVED A FRAME AND SHOULD END WITH THE SAME FRAME. EVERY TYPE OF ANIMATION WAS POSSIBLE. I CAN’T SAY IF THERE WILL BE COMPLETION OF THIS COLLABORATIVE PROJECT, SO HERE IS A TEASER OF MY CONTRIBUTION.

SELF-INITIATED PROJECT COLLABORATIVE PROJECT

/// FLUID SIMULATION, MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER

I RECEIVED A VECTOR AND AN AFTER EFFECTS PACKAGE. WITH THESE I MODELED THE YELLOW PIXELMAN TO CREATE A COLLIDER OBJECT FOR REAL FLOW. HAVING A HARD TIME TO FIND THE RIGHT SETTINGS CREATING THE PURPLE OOZE I FINALLY MADE IT. I REIMPORTED IT BACK TO CINEMA 4D VIA PLUGIN TO APPLY MATERIALS AND LIGHTING. COMPOSITING AND FINAL TOUCHES MADE WITH AFTER EFFECTS.

CONCEPT: JOCHEN BRAUN, ANJA MEWES SOUND: GREEN PIXELMAN – JIM TABLADILLO YELLOW PIXELMAN – SVEN OBERMEYER ORANGE PIXELMAN – CHRISTOPHER PINKE

REALFLOW CINEMA 4D AFTER EFFECTS

INCOMPLETE

FAR AWAY FROM CLIENT BRIEFINGS AND STYLE GUIDES, NO MATTER WHETHER STOP MOTION, GRAPHIC ANIMATION, TYPO ANIMATION, 3D OR STILL IMAGES, EVERY PARTICIPANT PROVIDED A 5 TO MAX. 30 SECONDS CLIP ON THE SUBJECT „PAUSE”. THEREFOR EVERYONE PASSED ONLY THE LAST FRAME OF HIS ANIMATION TO THE NEXT PARTICIPANT. THEN THIS FRAME FORMED THE BEGINNING FOR THE NEXT CLIP AND SO ON. LIKE THE GAME “CHINESE WHISPERS” OR “STILLE POST” IN GERMAN. A BIG THANK YOU GOES TO EVERYONE WHO SUPPORTED THIS PROJECT!

SELF-INITIATED COLLABORATIVE PROJECT

/// MODELING, TEXTURING, LIGHTING, ANIMATION /// – PHYSICAL RENDERER RECEIVING THE LAST FRAME OF THE PREVIOUS PARTICIPANT MADE ME REBUILDING NEWTON’S CRADLE. I USED THE PLUGIN „TRANSFORM“ TO LET THE CRADLE SPLIT INTO CHUNKS. IT WAS A LOT OF FUN TO WORK ON THIS FREE PROJECT TOGETHER WITH AWESOME AND TALENTED ARTISTS!

CONCEPT: ANJA MEWES PROJECT MANAGEMENT: BUILT. VISUAL COMMUNICATION MOTION DESIGNER: 00:00 ANJA MEWES 00:07 TINA LÖWENSTERN 00:33 MEDIA SOUND & PICTURES 01:06 JOCHEN BRAUN 02:00 MARCUS MARTINEZ 02:15 DEBORAH ARP 02:28 EDUARD LEFTER 02:38 DENNIS HERZOG 02:53 KEMANE BA 02:58 DINO MUHIC 03:28 JIM TABLADILLO 03:48 MATTHIAS WINCKELMANN 04:10 BUILT. SOUND: BUILT.

CINEMA 4D

AFTER EFFECTS

COMPLETED

„THE WAVE“ WAS A RESULT OF TOYOTA GLOBAL BOOTH DESIGN CONTEST 2012. AGENCIES AROUND THE WORLD PARTICIPATED IN THIS COMPETITION. DÉRI DESIGN WON THE CONTEST AND THE STAND DESIGN WAS REALIZED IN THE FOLLOWING MOTOR SHOW GENEVA 2013 FOR THE FIRST TIME.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING /// – PHYSICAL RENDERER

I SUPPORTED DÉRI DESIGN THE ENTIRE CONTEST FROM THE BEGINNING TO THE FINAL PRESENTATION. RECEIVING SCRIBBLES AND SKETCHES UP TO CAD FILES FROM THE ARCHITECTS WERE INGREDIENTS TO BUILD UP THE CONCEPTS AND IDEAS IN 3D. IN THE SECOND PHASE AN ANIMATION WAS NEEDED. SO THIS WAS THE REASON NOT TO USE THE VRAY-RENDERER BUT THE INTEGRATED PHYSICAL-RENDERER OF CINEMA 4D.

DESIGN/ARCHITECTURE DIRECTION: ALIA RAMADAN ARCHITECTURAL ASSISTANTS:

REALIZATION: B+S EXHIBITIONS PHOTOGRAPHY: H.G. ESCH

CINEMA 4D PHOTOSHOP

BUILT

THIS PRODUCTFILM WAS MADE FOR ECOPHIT’S PRODUCTLINE. THEY PRODUCE AND DEVELOP MATERIALS USED IN THE BUILDING SECTOR. DIFFERENT ARCHITECTS WERE INTERVIEWED AND ANIMATIONS WERE SHOWN TO HIGHLIGHT THE PRODUCTS BENEFIT.

CLIENT: SGL GROUP PRODUCTION: EINS47

/// ACTOR ///

EINS47 WAS SEARCHING FOR SOMEONE WHO COULD DO THE INTERVIEW OF AN INTERNATIONAL ARCHITECT.

I AM USUALLY THE ONE DOING THE 3D ANIMATION FOR THE AGENCY BUT NOT THIS TIME.
THIS TIME I PLAYED THE ROLE I STUDIED 6.5 YEARS: AS ARCHITECT

COMPLETED

THIS WAS A WEEKEND PROJECT.

OM NOM IS THE MAIN CHARACTER OF THE 2D PUZZLE GAME „CUT THE ROPE“ DEVELOPED FOR MOBILE. HE IS ONE OF MY FAVORITE CHARACTERS SO I PAY TRIBUTE TO HIM IN FORM OF A LITTLE CLIP.

SELF-INITIATED PROJECT

/// MODELING, TEXTURING, ANIMATION ///

I MADE A SCREENSHOT WITH MY MOBILE PHONE WHILE PLAYING. HAVING THIS AS REFERENCE I STARTED BOX MODELING OM NOM. APPLIED SOME STANDARD MATERIALS SO THAT THE COLORS MATCH ROUGHLY AND WENT OVER TO THE LITTLE CAMERA ANIMATION. NO LIGHTS WERE SET. IT WAS JUST THE AUTO LIGHT AND NO RENDER SETTINGS WERE TOUCHED. JUST THIS SHORT QUICK IDEA I WANTED TO VISUALIZE.

DEVELOPER: ZEPTOLAB

PUBLISHER: CHILLINGO

SOUND: ZEDGE

CINEMA 4D

COMPLETED

IN 2012 TOYOTA’S BOOTH HAD AGAIN „THE EYE-LED“. DÉRI DESIGN PRODUCED IT’S CONTENT IN ADDITION TO THE STAND DESIGN.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, ANIMATION /// – ADVANCED RENDERER

 I MODELED, TEXTURED AND ANIMATED THREE SCENES STARTING FROM 3:02 MIN

ART DIRECTION, MOTION DESIGN AT DÉRI ART DIRECTOR: PETER JANOSCHKA MOTION DESIGN: ANJA MEWES, TINA LOEWENSTERN, EDUARD LEFTER MUSIC: MICHAEL KADELBACH PHOTOGRAPHY: H.G. ESCH

CINEMA 4D AFTER EFFECTS

COMPLETED

A SHOWROOM OF A CAR DEALERSHIP SHOULD BE CREATED. IN THE END THIS SHOWROOM WAS FILLED WITH PROSPECTS AND POSTERS ON THE EMPTY SPOTS.

PRODUCTION: PIXELCHARM

/// MODELING, TEXTURING, LIGHTING /// – V-RAY RENDERER

THE CHALLENGE IN THIS PROJECT WAS THE EXTENSION OF A ROOM AS SHOWN AS IN THE SKETCH. I BUILT UP THE WHOLE ROOM FROM SCRATCH AND TEXTURED IT. PIXEL_CHARM PROVIDED ME SOME FURNITURE WHICH I INTEGRATED. AFTER LIGHTING THE SCENE, POSITIONING THE CAMS I WAS READY FOR RENDERING.

PREPROCESSING AND CONCEPT FROM PIXELCHARM

CINEMA 4D

COMPLETED

DÉRI DESIGN CREATED CONCEPTS FOR THE LEXUS BOOTH/ GENEVA 2012. TOYOTA DECIDED TO TAKE ONE OF THE DESIGN CONCEPTS AND DÉRI REALIZED IT SUCCESSFULLY WITH B+S EXHIBITIONS.

CLIENT: TOYOTA PRODUCTION: DÉRI DESIGN

/// MODELING, TEXTURING, LIGHTING/// – V-RAY RENDERER

I RECEIVED PICTURES FROM THE PREVIOUS BOOTH DESIGN AND CAD-FILES. DÉRI DESIGN GAVE ME LOTS OF SKETCHES REGARDING THE RESHAPE OF THE STAND INCLUDING DIFFERENT FLOOR-LAYOUTS AND DISPLAY OPTIONS. I REBUILT THE WHOLE STAND AND INTEGRATED THE NEW DESIGNS.

CONCEPT: DÉRI DESIGN REALIZATION: B+S EXHIBITIONS PHOTOGRAPHY: H.G. ESCH

CINEMA 4D

BUILT

THIS WAS A SPIN-OFF OF MY FAREWELL 318IS VIDEO. I PUT THE DELOREAN AND MY 318IS ON ONE AND THE SAME LEVEL OF NOSTALGIA.

/// TEXTURING /// – V-RAY RENDERER

THE MAJOR PART OF THIS JOB WAS TEXTURING. MAKING THE CARS PART OF THE SCENE DUE TO SHADER-TWEAKING.

SCENE: „HOLLE“ FROM VRAYFORC4D-FORUM MATERIALS: BIOMEKK

CINEMA 4D

COMPLETED

THE REASON FOR THIS PROJECT WAS PAYING TRIBUTE TO MY OLD CAR. IN 2011 MY „RED FURY RACER“ WOULD NOT PASS THE GERMAN TECHNICAL SAFETY REQUIREMENTS SO I HAD TO GIVE IT AWAY. THE BIMMA ACCOMPANIED ME THROUGH MY ENTIRE COLLEGE TIME. IT SPENT LOTS OF FUN AND REACHED A LEGENDARY STATUS.

SELF-INITIATED

/// CONCEPT, MODELING, TEXTURING, LIGHTING, ANIMATION /// – ADVANCED RENDERER

AFTER DOWNLOADING THE MODEL FROM TURBOSQUID I STARTED MODIFYING THE CAR LIKE I DID IN REAL LIFE. LOWERING THE CAR AND MODELING THE RIMS, EXHAUST SYSTEM, INTERIOR ETC. AFTER APPLYING TEXTURES AND ADDING LIGHT I THEN STARTED CAMERA ANIMATIONS.

THE RENDERING WAS DONE IN MY OWN „NANO-RENDERFARM“ INVOLVING 6 COMPUTERS. IT WAS LOTS OF WORK SETTING UP THAT NET RENDERING THAT DAYS.

EDITING AND COMPOSITING WAS DONE WITH AFTER EFFECTS.

MODEL: TURBOSQUID

SOUND: FINAL FANTASY ADVENT CHILDREN OST – „BEYOND WASTELAND“

CINEMA 4D

AFTER EFFECTS

COMPLETED